this story was written during my desert years and eventually published in issue number two of the excellent literary magazine " Up The Staircase Quarterly" when i first dare venture into the submission mode.
A Willow or Two
by Nadine Sellers
The
willow is trembling outside the window like a nervous peeping tom. An
opaque pink haze has settled upon the night in town. Head resting on
pillows, I hold a book open in my palm and count what would be my
blessings - dinner dishes done ' no broken bones and more squash in the
fridge. Then why do I feel so, so unsettled?
Sirens screech by on main street every hour and I keep thinking it' s
Joe. I know these phone calls are from him; no one talks, but I stare
at the phone with doubt every time this happens. I look at the phone
now, it is about to ring, I will it. The noise reverberates through the
apartment, so very loud that I cringe. I extend my arm slowly, I pick it
up resolutely. Hello? Hello? No one answers; The breath is that of a
woman, that woman. I sense her presence, in cell phone void from
satellite space, where she feels safe to reach out and bother someone.
Air swells through the veils, playing shadow games upon twilight.
The telephone is a dead animal, limp in my hand. An automated voice
urges me to make a call or set the thing back on its base. I hang up
obediently, absently. It is only a cheap outdated model. After Joe
smashed the last three, I saved myself some expense and bought bottom of
the line items; no fuss, no frills. You learn to live with bare minimum
when possessions come to a premature ending. Most items are of
disposable consequence; detach, detach!
Twenty six saucers ago I would have winced at the perennial losses,
now I count the individual breakage as material recycling. Object-d'art
accumulate faster than space to keep them in. Cumulus becomes burden. I
can find yard sale tables and chairs faster than they were originally
manufactured. I can drag home my friends' discarded rugs and curtains
faster than Joe can stain them with dark wines, stale beers or greasy
leftovers. Blessings or commination? At any other time I would reason
this axiology; now, I breathe a shallow intake and expel dire thoughts
in puny breaths. Too much has happened for too long, I have no resource
but to lay there and save myself for the day I am free of fear, free of
self.
Freedom is but a word, it used to be an ideology, an honorable
illusion of youth. At first I had fancied myself free of parental
bondage. Then I had jumped into premature marriage; many a woman can
attest to the erroneous expectation of that theory. Of course, I liked
many aspects of a concrete relationship, where can a girl get steady
love and someone to lavish excess tenderness on? The dog pound would be a
good place to start, but? Men don't shed so much hair, and the bond is
of a different dimension.
Indoctrinated in the fine art of matrimony by a stern society, I
love to love. I believe in deep binding, the ties that squeeze till they
hurt. I derive joy from the lesser pain after the rain of tears. Need
for closeness has brought severe hardship, and yet, I look at the phone,
hoping Joe is there, contained in the safety of the object, close to my
ear as I call the image of his sensitive face within my closed eyelids.
He will tell me he has learned so much. So much to suffer, so much
to coerce through cluttered viscera. I should rescue a cat or cruise the
anonymous mall in search of societal oblivion. I would frighten the
meek, scare the weak who need me to entertain them, to perform a sad
social dance for them. I am in mourning for a chunk of life spoiled, my
life, my loss.
There are bookshelves full of how to for the enabler, the
co-dependent and the forlorn. I am free to choose among prime
debaucheries to prompt an avalanche of ill feelings. Boredom and sagging
minds present fair excuses. Too easy to circulate in the halls of
doubt. Too unfair to assign culpability for the decay of sweet and sour
co-existence. Yes, yes, love was and still is a marvel of
parapsychology, a revelatory animal chemistry. The forgotten novel
weights upon my hand as I reach for the covers. A tear insists on
teasing me all the way to my chin, damn it, I am solid and I refuse to
cry!
By now, birds nestle quietly. From the darkness of the bedroom, I
scan the shape of the tree swaying to the town pulse. It must be
midnight on this sundry weekday. I should sleep. Work comes early to the
dutiful. Leaves brush against one another rustling lightly. The scent
of artemesia streams in the tender breeze . Cold punishes my bones with
denial; dry pleasure, the ascetic response. My jaw aches with stoicism. I
am a native in the plain, nature, my maternal foster spirit, I faint
within.
Gravel crunch, obscene lights, a car door slams and I sit up. Not
again, you fool! I sneer lazily at rushing anticipation. If I am free
and I am well, why do I insist on hoping ? solace of same, same sadness,
same anguish? Familiarity elicits replication at the cost of disgust.
Stuck in a morose leitmotiv, I wallow in the pathos of melancholy. My
body knows the sheets and the blanket settles, heavy as his hand, upon
my hip on a rare night. I whine and whisper my way to sleep again.
Daylight brings me to shower, brush, comb, in blind robotic
automation. Then on to eat with ritualistic Zen attention; the toast
feels light and scabrous to the hand, elbows bend, butter melts. A sense
of otherliness overcomes the spare conscience to find comfort in
minutiae, consolation in detachment. Alone with spoon in hand, apple
crunching loudly under tooth. No one to hear the mechanical tempo, no
one to see the spoon drop on the tablecloth. I could sing if I wanted
to, I could dance around the room to some innate cadence.
Amid myriad choices, my hand refuses to push the button, to turn the
knob, to play the song. Silence is mine. I am stillness. I am silence'?
©Nadine Sellers